Exhibiting Abstraction
Strategies in the Propagation of an Avant-garde 1908–1915
| dc.contributor.author | Bartosch, Christina | |
| dc.date.accessioned | 2025-06-12T04:00:25Z | |
| dc.date.available | 2025-06-12T04:00:25Z | |
| dc.date.issued | 2025 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/103438 | |
| dc.description.abstract | The time around 1910 has entered art history as the moment when «abstraction was invented». However, where and when works of non-figurative art became present in the public eye has been afforded little attention to date. Exhibiting Abstraction is the first publication to be devoted entirely to the presentation of abstract art between 1908 and 1915 and as such uncovers strategies for the dissemination of early abstract painting in exhibitions. | |
| dc.language | English | |
| dc.subject.other | Art history | en |
| dc.subject.other | ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019) | en |
| dc.subject.other | Paintings and painting in oils | en |
| dc.subject.other | Thema Subject Codes -- The Arts (A) -- The Arts: art forms (AF) -- Paintings and painting (AFC) -- Paintings and painting in oils (AFCL) | en |
| dc.subject.other | Drawing and drawings | en |
| dc.subject.other | Thema Subject Codes -- The Arts (A) -- The Arts: art forms (AF) -- Drawing and drawings (AFF) | en |
| dc.subject.other | History of art | en |
| dc.subject.other | Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- History of art (AGA) | en |
| dc.subject.other | Individual artists, art monographs | en |
| dc.subject.other | Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- Individual artists, art monographs (AGB) | en |
| dc.subject.other | Europe | en |
| dc.subject.other | Thema Subject Codes -- Place qualifiers (1) -- Europe (1D) | en |
| dc.subject.other | New York City | en |
| dc.subject.other | Thema Subject Codes -- Place qualifiers (1) -- The Americas (1K) -- North America (USA and Canada) (1KB) -- United States of America, USA (1KBB) -- US Northeast (1KBB-US-N) -- US Northeast: Mid-Atlantic States (1KBB-US-NA) -- New York (1KBB-US-NAK) -- New York City (1KBB-US-NAKC) | en |
| dc.subject.other | c 1910 to c 1919 | en |
| dc.subject.other | Thema Subject Codes -- Time period qualifiers (3) -- c 1500 onwards to present day (3M) -- 20th century, c 1900 to c 1999 (3MP) -- Early 20th century c 1900 to c 1950 (3MPB) -- c 1910 to c 1919 (3MPBF) | en |
| dc.subject.other | Abstractism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (A) (6A) -- Abstractism (6AA) | en |
| dc.subject.other | Avant-garde | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (A) (6A) -- Avant-garde (6AQ) | en |
| dc.subject.other | Expressionism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (E) (6E) -- Expressionism (6EF) | en |
| dc.subject.other | Futurism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (F) (6F) -- Futurism (6FF) | en |
| dc.subject.other | Modernism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (M) (6M) -- Modernism (6MC) | en |
| dc.subject.other | Orphism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (NO) (6N) -- Orphism (6NM) | en |
| dc.subject.other | Section d’Or | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (S) (6S) -- Section d’Or (6SH) | en |
| dc.subject.other | Suprematism | en |
| dc.subject.other | Thema Subject Codes -- Style qualifiers (6) -- Styles (S) (6S) -- Suprematism (6SR) | en |
| dc.subject.other | Kunstgeschichte | de |
| dc.subject.other | ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019) | de |
| dc.subject.other | Ölmalerei | de |
| dc.subject.other | Thema Klassifizierung -- Kunst (A) -- Kunstformen (AF) -- Malerei und Gemälde (AFC) -- Ölmalerei (AFCL) | de |
| dc.subject.other | Zeichnen und Zeichnungen | de |
| dc.subject.other | Thema Klassifizierung -- Kunst (A) -- Kunstformen (AF) -- Zeichnen und Zeichnungen (AFF) | de |
| dc.subject.other | Kunstgeschichte | de |
| dc.subject.other | Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- Kunstgeschichte (AGA) | de |
| dc.subject.other | einzelne Künstler, Künstlermonografien | de |
| dc.subject.other | Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- einzelne Künstler, Künstlermonografien (AGB) | de |
| dc.subject.other | Europa | de |
| dc.subject.other | Thema Klassifizierung -- Geographische Qualifier (1) -- Europa (1D) | de |
| dc.subject.other | New York City | de |
| dc.subject.other | Thema Klassifizierung -- Geographische Qualifier (1) -- Amerika (1K) -- Nordamerika (USA und Kanada) (1KB) -- Vereinigte Staaten von Amerika, USA (1KBB) -- USA Nordosten (1KBB-US-N) -- USA Nordosten: Mid-Atlantic States (1KBB-US-NA) -- New York (1KBB-US-NAK) -- New York City (1KBB-US-NAKC) | de |
| dc.subject.other | ca. 1910 bis ca. 1919 | de |
| dc.subject.other | Thema Klassifizierung -- Zeitliche Qualifier (3) -- ca. 1500 bis zur Gegenwart (3M) -- 20. Jahrhundert (ca. 1900 bis ca. 1999) (3MP) -- Erste Hälfte 20. Jahrhundert (ca. 1900 bis ca. 1950) (3MPB) -- ca. 1910 bis ca. 1919 (3MPBF) | de |
| dc.subject.other | Abstrakte Kunst | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (A) (6A) -- Abstrakte Kunst (6AA) | de |
| dc.subject.other | Avantgarde | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (A) (6A) -- Avantgarde (6AQ) | de |
| dc.subject.other | Expressionismus | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (E) (6E) -- Expressionismus (6EF) | de |
| dc.subject.other | Futurismus | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (F) (6F) -- Futurismus (6FF) | de |
| dc.subject.other | Modernismus | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (M) (6M) -- Modernismus (6MC) | de |
| dc.subject.other | Orphismus | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (NO) (6N) -- Orphismus (6NM) | de |
| dc.subject.other | Section d’Or | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (S) (6S) -- Section d’Or (6SH) | de |
| dc.subject.other | Suprematismus | de |
| dc.subject.other | Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (S) (6S) -- Suprematismus (6SR) | de |
| dc.subject.other | Kunst | de |
| dc.subject.other | abstrakte Kunst | de |
| dc.subject.other | Ausstellungsgeschichte | de |
| dc.subject.other | Ausstellungsstrategie | de |
| dc.subject.other | 20. Jahrhundert | de |
| dc.subject.other | Giacomo Balla | de |
| dc.subject.other | Umberto Boccioni | de |
| dc.subject.other | Wassily Kandinsky | de |
| dc.subject.other | Frantisek Kupka | de |
| dc.subject.other | Kazimir Malevich | de |
| dc.subject.other | Piet Mondrian | de |
| dc.subject.other | Francis Picabia | de |
| dc.subject.other | 1908–1915 | de |
| dc.subject.other | Art | de |
| dc.subject.other | abstract art | de |
| dc.subject.other | exhibition history | de |
| dc.subject.other | exhibition strategy | de |
| dc.subject.other | 20th century | de |
| dc.subject.other | Giacomo Balla | de |
| dc.subject.other | Umberto Boccioni | de |
| dc.subject.other | Wassily Kandinsky | de |
| dc.subject.other | Frantisek Kupka | de |
| dc.subject.other | Kazimir Malevich | de |
| dc.subject.other | Piet Mondrian | de |
| dc.subject.other | Francis Picabia | de |
| dc.subject.other | 1908–1915 | de |
| dc.title | Exhibiting Abstraction | en |
| dc.title.alternative | Strategies in the Propagation of an Avant-garde 1908–1915 | |
| dc.type | book | |
| dc.type | book | |
| oapen.abstract.otherlanguage | Die Zeit um 1910 ist als Zeitpunkt der „Geburt der Abstraktion“ in die Kunstgeschichte eingegangen. Doch wo und wann Werke der nicht-figurativen Kunst öffentlich sichtbar wurden, ist bisher kaum beachtet worden. Exhibiting Abstraction ist die erste Publikation, die sich der Präsentation abstrakter Kunst zwischen 1908 und 1915 widmet und dabei Strategien zur Verbreitung der frühen abstrakten Malerei in Ausstellungen aufdeckt. | |
| oapen.identifier.doi | 10.1515/9783110755909 | |
| oapen.relation.isPublishedBy | 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 | |
| oapen.relation.isFundedBy | b9371148-b736-41bc-8876-c3872008fb40 | |
| oapen.relation.isFundedBy | 26ae1657-c58f-4f1d-a392-585ee75c293e | * |
| oapen.collection | Austrian Science Fund (FWF) | |
| oapen.imprint | De Gruyter | |
| oapen.grant.number | HASH(0x55ddf5863cd8) |

