Narrative Objects
Proposal review
Museums, the Sakha Summer Festival, and Cultural Revival in Siberia
| dc.contributor.author | Argounova-Low, Tatiana | |
| dc.contributor.author | Brown, Alison K. | |
| dc.date.accessioned | 2025-06-16T13:09:24Z | |
| dc.date.available | 2025-06-16T13:09:24Z | |
| dc.date.issued | 2025 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/103670 | |
| dc.description.abstract | Narrative Objects is concerned with the conversations that arise when artists, scholars, and museum practitioners come together with historic objects. Its focus is a unique mammoth ivory model of yhyakh – the annual celebration of the Sakha people in the Russian Far East – which has been in the collection of the British Museum since 1867. Almost 150 years later, the model was loaned to the National Arts Museum of the Republic of Sakha (Yakutia) for exhibition and public engagement. As Sakha people revisit past histories and reconstitute cultural knowledge following decades of Soviet rule, this book considers narratives generated by the return of the model which speak to wider concerns in anthropology, material culture studies, and history about how knowledge is both suppressed and engaged with. The book also explores how art can be a focus for cultural pride, how skilled practices are entwined with oral histories, and how historic objects can contribute to wider processes of cultural revival. The chapters draw on fieldwork and museum and archival research in Sakha Sire, Paris and London. Narrative Objects is particularly relevant to scholars of anthropology and museum studies as well as those with an interest in the subarctic and post-Soviet states. | en_US |
| dc.language | English | en_US |
| dc.relation.ispartofseries | Anthropological Studies of Creativity and Perception | en_US |
| dc.subject.classification | thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology | en_US |
| dc.subject.classification | thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics | en_US |
| dc.subject.classification | thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art | en_US |
| dc.subject.classification | thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies | en_US |
| dc.subject.classification | thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history | en_US |
| dc.subject.other | yhyakh;Sakha people;mammoth ivory composition;yhyakh celebration;Sakha tradition | en_US |
| dc.title | Narrative Objects | en_US |
| dc.title.alternative | Museums, the Sakha Summer Festival, and Cultural Revival in Siberia | en_US |
| dc.type | book | |
| oapen.identifier.doi | 10.4324/9780429456398 | en_US |
| oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | en_US |
| oapen.relation.isFundedBy | 4c0c0c72-854a-4692-aa5c-12ec2339edf8 | en_US |
| oapen.relation.isbn | 9780429851599 | en_US |
| oapen.relation.isbn | 9780429456398 | en_US |
| oapen.relation.isbn | 9781138315334 | en_US |
| oapen.relation.isbn | 9780429851582 | en_US |
| oapen.collection | UK Research and Innovation | en_US |
| oapen.imprint | Routledge | en_US |
| oapen.pages | 226 | en_US |
| peerreview.anonymity | Single-anonymised | |
| peerreview.id | bc80075c-96cc-4740-a9f3-a234bc2598f1 | |
| peerreview.open.review | No | |
| peerreview.publish.responsibility | Publisher | |
| peerreview.review.stage | Pre-publication | |
| peerreview.review.type | Proposal | |
| peerreview.reviewer.type | Internal editor | |
| peerreview.reviewer.type | External peer reviewer | |
| peerreview.title | Proposal review | |
| oapen.review.comments | Taylor & Francis open access titles are reviewed as a minimum at proposal stage by at least two external peer reviewers and an internal editor (additional reviews may be sought and additional content reviewed as required). |

