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        La emboscada postpoética de Agustín Fernández Mallo:

        física, cognición, contemporaneidad, entropía

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        Author(s)
        Gala, Candelas
        Language
        Spanish
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        Abstract
        La emboscada postpoética de Agustín Fernández Mallo: física, cognición, contemporaneidad, entropía analyzes the poet’s proposal to rescue, with his Postpoetry, official poetry from its sclerotic stagnation due to its fidelity to worn-out premises, to recover a language connected with matter, and to renew its cognitive value. By means of byways (or drifting) through different disciplines, Postpoetry shares space with television, pop music, videos, the Internet, cinema, the arts, publicity, and the sciences, physics in particular. Postpoetry illuminates the intersection between the tranquility that tradition provides and the disquiet that comes with novelty. There is an ambush because, like Odysseus with the Trojan horse, the postpoet, although he is back from his adventures and much experienced, like the astute Homeric hero, often finds himself being ambushed by the recursiveness of its own tricks; however, he understands that all pronouncements entail their own refutation in the form of irony and parody. Everything rests on the uncertainty of which Werner Heisenberg spoke, or on the yin-yang in the complementarity of that other great quantum physicist, Niels Bohr. We readers are invited to participate in this odyssey where enigmas are never solved conclusively. La emboscada postpoética de Agustín Fernández Mallo: física, cognición, contemporaneidad, entropía analiza la propuesta del poeta de “curar,” con su Postpoesía, a la poética oficial de su estancamiento esclerótico por seguir sujeta a premisas ya desgastadas, recobrar un lenguaje enlazado con la materia y renovar su valor cognitivo. Mediante derivas por diferentes campos del saber, la Postpoesía comparte el espacio con la televisión, la música pop, los vídeos, el internet, el cine, las artes, la publicidad y las ciencias, la física en particular. La Postpoesía busca la intersección entre la tranquilidad que aporta la tradición y la inquietud de lo novedoso. Hay emboscada porque, como Odiseo con el caballo de Troya, el postpoeta está también de vuelta de sus aventuras y como el astuto héroe, se ve a menudo “emboscado” por la recursividad de sus argucias. Pero entiende que toda proclama conlleva su propia refutación en forma de ironía y parodia. Todo queda en la incertidumbre de que habló Werner Heisenberg, o del ying-yang en la complementariedad del otro gran físico cuántico, Niels Bohr. Y a los lectores se nos invita a participar en esta odisea donde los enigmas no se solventan conclusivamente.
        URI
        https://library.oapen.org/handle/20.500.12657/105581
        Keywords
        Postpoesía; derivas; cognición; entropía; física cuántica; Niels Bohr; Werner Heisenberg; simulacro; agujeros negros; estética de la basura; campo geomagnético; principio de incertidumbre; principio de complementariedad; rizoma; horizonte de sucesos; robots
        ISBN
        9781626711310, 9781626711303, 9781626711310, 9781626711280, 9781626711303, 9781626711297
        Publisher
        Purdue University Press
        Publisher website
        http://www.thepress.purdue.edu/
        Publication date and place
        West Lafayette, 2025
        Imprint
        Purdue University Press
        Series
        Purdue Studies in Romance Literatures,
        Classification
        Literature: history and criticism
        Pages
        300
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        Credits

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        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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