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dc.contributor.authorJohnson, Nicholas K.
dc.date.accessioned2025-08-22T10:08:59Z
dc.date.available2025-08-22T10:08:59Z
dc.date.issued2025
dc.identifierONIX_20250822T115951_9783111579450_48
dc.identifier.issn2629-4702
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/105682
dc.description.abstractScripting Genocide traces the history of how and why the Wannsee Conference has repeatedly attracted the attention of American, British, and German screenwriters and filmmakers since 1960. This book investigates how the dramatic, fictionalized depictions of the Wannsee Conference offered filmmakers, and especially screenwriters, opportunities to be public historians.
dc.languageEnglish
dc.relation.ispartofseriesPublic History in European Perspectives
dc.subject.classificationthema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTZ Genocide and ethnic cleansing::NHTZ1 The Holocaust
dc.subject.otherHolocaust
dc.subject.otherPublic History
dc.subject.otherWannsee Conference
dc.subject.otherfilm
dc.titleScripting Genocide
dc.title.alternativeThe Wannsee Conference on Television, 1960–2022
dc.typebook
oapen.identifier.doi10.1515/9783111579450
oapen.relation.isPublishedBy2b386f62-fc18-4108-bcf1-ade3ed4cf2f3
oapen.relation.isFundedBye4629af6-bad9-432c-8211-41119734dc58
oapen.relation.isbn9783111579450
oapen.relation.isbn9783111578606
oapen.relation.isbn9783111579597
oapen.imprintDe Gruyter Oldenbourg
oapen.series.number3
oapen.pages404
oapen.place.publicationBerlin/Boston
oapen.grant.number[...]


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