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dc.contributor.editorHanich, Julian
dc.contributor.editorFairfax, Daniel
dc.date.accessioned2025-10-23T08:16:36Z
dc.date.available2025-10-23T08:16:36Z
dc.date.issued2025
dc.identifierONIX_20251023T101257_9781040791042_20
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/107750
dc.description.abstractFor the first time this volume makes Jean-Pierre Meunier’s insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier’s intricate phenomenological descriptions of the spectator’s engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.
dc.languageEnglish
dc.relation.ispartofseriesFilm Theory in Media History
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.classificationthema EDItEUR::Q Philosophy and Religion::QD Philosophy::QDT Topics in philosophy::QDTN Philosophy: aesthetics
dc.subject.otherMonograph (DRM-Free)
dc.titleThe Structures of the Film Experience by Jean-Pierre Meunier
dc.title.alternativeHistorical Assessments and Phenomenological Expansions
dc.typebook
oapen.identifier.doi10.5117/9789462986565
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781040791042
oapen.relation.isbn9781040796948
oapen.relation.isbn9781003707820
oapen.relation.isbn9789462986565
oapen.imprintRoutledge
oapen.pages354
oapen.place.publicationOxford


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