Hiding Making - Showing Creation
The Studio from Turner to Tacita Dean
| dc.contributor.editor | Esner, Rachel | |
| dc.contributor.editor | Kisters, Sandra | |
| dc.contributor.editor | Lehmann, Ann-Sophie | |
| dc.date.accessioned | 2025-10-23T08:17:02Z | |
| dc.date.available | 2025-10-23T08:17:02Z | |
| dc.date.issued | 2025 | |
| dc.identifier | ONIX_20251023T101257_9781040779996_26 | |
| dc.identifier.uri | https://library.oapen.org/handle/20.500.12657/107756 | |
| dc.description.abstract | The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The various essays also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present. | |
| dc.language | English | |
| dc.subject.classification | thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art | |
| dc.subject.other | studio | |
| dc.title | Hiding Making - Showing Creation | |
| dc.title.alternative | The Studio from Turner to Tacita Dean | |
| dc.type | book | |
| oapen.identifier.doi | 10.4324/9781003697329 | |
| oapen.relation.isPublishedBy | 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb | |
| oapen.relation.isbn | 9781040779996 | |
| oapen.relation.isbn | 9789089645074 | |
| oapen.relation.isbn | 9781040786017 | |
| oapen.relation.isbn | 9781003697329 | |
| oapen.imprint | Routledge | |
| oapen.pages | 262 | |
| oapen.place.publication | Oxford |
