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dc.contributor.editorKloet, Jeroen
dc.contributor.editorChow, Yiu Fai
dc.contributor.editorScheen, Lena
dc.date.accessioned2025-10-23T08:30:33Z
dc.date.available2025-10-23T08:30:33Z
dc.date.issued2025
dc.identifierONIX_20251023T102741_9781040775929_2
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/107805
dc.description.abstractWith its emergence as a global power, China aspires to transform from made in China to created in China. Mobilised as a crucial source for solid growth and soft power, creativity has become part of the new China Dream. Boredom, Shanzhai, and Digitisation in the Time of Creative China engages with the imperative of creativity by aligning it to three interrelated phenomena: boredom, shanzhai, and digitisation. How does creativity help mitigate boredom? Does boredom incubate creativity? How do shanzhai practices and the omnipresence of fake goods challenge notions of the original and the authentic? Which spaces for expressions and contestations has China's fast-developing digital world of Weixin, Taobao, Youku, and Internet Plus Policy opened up? Are new technologies serving old interests? Essays, dialogues, audio-visual documents, and field notes, from thinkers, researchers, practitioners, and policy-makers, examine what is going on in China now, ultimately to tease out its implication to our understanding of creativity.
dc.languageEnglish
dc.relation.ispartofseriesAsian Visual Cultures
dc.subject.classificationthema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.othercreativity
dc.titleBoredom, Shanzhai, and Digitisation in the Time of Creative China
dc.typebook
oapen.identifier.doi10.5117/9789462984745
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781040775929
oapen.relation.isbn9781041176350
oapen.relation.isbn9781003691839
oapen.relation.isbn9789462984745
oapen.relation.isbn9781040787250
oapen.imprintRoutledge
oapen.pages320
oapen.place.publicationOxford


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