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dc.contributor.authorBalsom, Erika
dc.date.accessioned2025-10-23T08:32:36Z
dc.date.available2025-10-23T08:32:36Z
dc.date.issued2025
dc.identifierONIX_20251023T102741_9781040775769_32
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/107835
dc.description.abstractWhether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theatre and the home, but also in the art gallery and the museum. The author of this engaging study takes stock of this development, offering an in-depth inquiry into its genesis, its defining features, and the ramifications it has for art and cinema alike. Through the lens of contemporary art history, she examines cinema studies’ great disciplinary obsession – namely, what cinema was, is, and will become in a digital future.
dc.languageEnglish
dc.relation.ispartofseriesFilm Culture in Transition
dc.subject.classificationthema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History
dc.subject.otherArchitectures
dc.subject.otherProjection
dc.subject.otherPatrimony
dc.subject.otherBlack Box
dc.subject.otherWhite Cube
dc.subject.otherFilmic Ruins
dc.subject.otherRuinophilia
dc.subject.otherAnalogue Aura
dc.subject.otherPrecursors
dc.subject.otherHybrid Forms
dc.titleExhibiting Cinema in Contemporary Art
dc.typebook
oapen.identifier.doi10.4324/9781003695134
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781040775769
oapen.relation.isbn9781003695134
oapen.relation.isbn9781040787090
oapen.relation.isbn9789089644718
oapen.imprintRoutledge
oapen.pages260
oapen.place.publicationOxford


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