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dc.date.accessioned2025-10-23T08:33:59Z
dc.date.available2025-10-23T08:33:59Z
dc.date.issued2025
dc.identifierONIX_20251023T102741_9781040775837_53
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/107856
dc.description.abstractThe experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
dc.languageEnglish
dc.subject.classificationthema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
dc.subject.otherdigital heritage
dc.subject.otherart
dc.subject.otherartefacts
dc.subject.othermuseum
dc.subject.otherhistory
dc.titleMuseums in a Digital Culture
dc.title.alternativeHow Art and Heritage Become Meaningful
dc.typebook
oapen.identifier.doi10.5117/9789089646613
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781040775837
oapen.relation.isbn9781003700203
oapen.relation.isbn9781041183204
oapen.relation.isbn9789089646613
oapen.relation.isbn9781040787168
oapen.imprintRoutledge
oapen.pages142
oapen.place.publicationOxford


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