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dc.contributor.authorClaire Farago - http://orcid.org/0000-0002-3641-6345, Susan Lowish - http://orcid.org/0000-0002-8012-3718,Jens Baumgarten - http://orcid.org/0000-0002-9407-8137
dc.contributor.editorFarago - http://orcid.org/0000-0002-3641-6345, Claire
dc.contributor.editorBaumgarten - http://orcid.org/0000-0002-9407-8137, Jens
dc.contributor.editorLowish - http://orcid.org/0000-0002-8012-3718, Susan
dc.date.accessioned2026-03-16T15:40:31Z
dc.date.available2026-03-16T15:40:31Z
dc.date.issued2025
dc.identifier.urihttps://oapen-dev.siscern.org/handle/20.500.12657/108849
dc.description.abstractThis edited volume de-familiarizes European conceptions of artistry and thinks its history anew. It represents a rethinking on a global stage of some of the most fundamental assumptions in what were once arguably helpful methodological tools in art history. As chapters in this book demonstrate, the category of artisanal knowledge opens up the history of culture, allowing discourse to be freed from a narrative of cultural development without excluding Art with a capital A from consideration. Our shared inquiry, approached through many different case studies involving many kinds of data and contexts, focuses attention on methodological aspects. Each chapter provides a sustained meditation on artisanal knowledge that includes intellectual, social, economic, and political factors without relying on universals, monolithic categories, hierarchies of genre and medium, or the use of binaries, least of all the global/local binary. As different as they are from one another, all the chapters in this book ask about various connectivities among peoples, ideas, things. The book will be of interest to artists, critics, curators, and scholars working in art history, museum studies, history, material culture studies, performance studies, eco-criticism, Latin American studies, colonial studies, religious studies, anthropology, and Indigenous studies.
dc.languageEnglish
dc.relation.ispartofseriesRoutledge Advances in Art and Visual Studies
dc.subject.classificationthema EDItEUR::A The Arts::AB The arts: general topics
dc.subject.classificationthema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHA History: theory and methods::NHAH Historiography
dc.subject.otherEurope
dc.subject.otherCulture
dc.subject.otherArt
dc.subject.otherArt history
dc.subject.otherKnowledge
dc.subject.otherMethodology
dc.subject.otherIntellectual
dc.subject.otherSocial
dc.subject.otherEconomic
dc.subject.otherPolitical
dc.subject.otherHierarchy
dc.subject.otherGenre
dc.subject.otherMedium
dc.subject.otherConnection
dc.subject.otherPeople
dc.subject.otherIdeas
dc.subject.otherThings
dc.subject.otherArtistry
dc.subject.otherEurocentric
dc.subject.otherNon-Western
dc.subject.otherTheory
dc.subject.otherTechnology
dc.subject.otherMaterial
dc.subject.otherCraftmanship
dc.subject.otherFine art
dc.subject.otherArtifact
dc.subject.otherDecorative art
dc.subject.otherOntology
dc.subject.otherProgress
dc.subject.otherDecoloniality
dc.subject.otherColoniality
dc.subject.otherPower
dc.subject.otherPostcolonialism
dc.subject.otherIndigenous
dc.subject.otherGlobalization
dc.subject.otherCross-cultural
dc.subject.otherInterregionalism
dc.subject.otherArt practice
dc.titleChapter Knowledge to Be Made: An Introduction
dc.title.alternativeIN Book: Transcultural Histories of Art and Artisanal Epistemologies
dc.typechapter
oapen.identifier.doi10.4324/9781003456681-1
oapen.relation.isPublishedBy7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb
oapen.relation.isbn9781003456681
oapen.relation.isbn9781032594491
oapen.relation.isbn9781032598734
oapen.imprintRoutledge
oapen.pages1 - 10
oapen.place.publicationNew York


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