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        Publications

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        Realism and Reality 

        Silz, Walter (1954)
        In this 1954 study of poetic realism and the "Novelle" form, Silz examines nine "Novellen" by Brentano, Arnim, Droste-Hülshoff, Stifter, Grillsparzer, Keller, Meyer, Storm and Hauptmann. Through his textual interpretation ...
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        Arminius or the Rise of a National Symbol in Literature 

        Kuehnemund, Richard (1953)
        This volume provides an evaluation of the ideological significance of the Arminius trope in patriotic German literature. Beginning with the German Humanists and ranging through the works of Hutten, Lohenstein, J. E. Schlegel, ...
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        Ludwig Tieck and America 

        Matenko, Percy (1954)
        This study explores the question of Tieck's reception in and influence on the American literary scene before 1900, with the additional goal of shedding light on the reception in America of German Romanticism as a whole. ...
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        Novalis 

        Hiebel, Frederick (1954)
        Originally published in 1954, Hiebel's "Novalis" was the first critical evaluation in English of the life and works of Novalis (1772-1801), the German Romantic poet of the Blue Flower, since Thomas Carlyle's essay in 1829. ...
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        Wilhelm Waiblinger in Italy 

        Thompson, Lawrence S. (1953)
        This study traces the importance of Italy as a source of literary inspiration in the work of the Swabian poet Wilhelm Waiblinger (1804-1830), who spent the last four years of his life, the most prolific of his career, ...
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        Unity and Language 

        O'Flaherty, James C. (1952)
        This 1952 study is an investigation into the nature of language that focuses on reinterpreting Hamann's theories of language in light of twentieth century linguistic philosophy. One of the first studies of Hamann to be ...
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        Friedrich Hebbel's Conception of Movement in the Absolute and in History 

        Flygt, Sten G. (1952)
        Flygt undertakes an analysis first of Hebbel's writings on social and historical progress in his letters and diaries and then of his plays, in order to draw conclusions on Hebbel's conception of movement. Noting oscillations ...
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        Gregorius 

        Von Aue, Hartmann; Zeydel, Edwin H.; Morgan, Bayard Quincy (1955)
        Originally published in 1955, this rendering in rhyming couplets was the first English translation to appear of the medieval Oedipus legend of Gregorius, made known to readers by Thomas Mann in his novel "The Holy Sinner" ...
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        The Essence of Philosophy 

        Dilthey, Wilhelm; Emery, Stephen A.; Emery, William T. (1954)
        Wilhelm Dilthey (1833-1911), the great German humanist, remained a towering figure in Europe long into the twentieth century. Published in 1954, this translation by Stephen A. Emery and William T. Emery was the first English ...
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        Southern Scholars in Goethe's Germany 

        Krumpelmann, John T. (1965)
        This treasury of enlightening information reveals the roles of youthful Southerners in academic, scholarly, and literary society in Weimar, Göttingen, Bonn, Berlin, Heidelberg, and Munich in the Golden Age of Germany. In ...
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        The Magic Mountain 

        Weigand, Hermann J. (1965)
        Praised highly by Mann himself, Weigand's book (originally published in 1933) is an essential piece of criticism on Mann's monumental novel. In his study of "The Magic Mountain" Weigand comments on the novel's genre and ...
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        Theodor Storm’s Novellen 

        McCormick, E. Allen (1964)
        These six essays elucidate some of the more significant aspects of Storm's literary technique. The treatments of some of Storm's "Novellen", including "Am Kamin", "Aquis Submersus" and two versions of "Immensee", show how ...
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        Bifocal Vision 

        Neubauer, John (1971)
        Relying on an edition of Novalis' notebooks which includes much of the author's scientific and philosophical musings, Neubauer's study evaluates Novalis' outline for a creative science and philosophical background of the ...
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        Christoph Martin Wieland as the Originator of Modern Travesty in German Literature 

        Craig, Charlotte (1970)
        In this study the extent to which Wieland contributed to the literary genre of the travesty is established, the poet's approach to his sources as well as the nature and duality of his innovations are investigated, and the ...
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        Wilhelm Müller's Lyrical Song-Cycles 

        Cottrell, Alan P. (1970)
        The poetry of Wilhelm Müller, to whom Heine expressed indebtedness for his renewal of the forms of the German "Volkslied", had rarely been discussed in depth prior to this volume originally published in 1970. Cottrell's ...
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        Theodor Storm's Craft of Fiction 

        Bernd, Clifford A. (1966)
        Bernd's study shows how Storm's "Novellen" are made purposeful by the operations of a fictional intelligence, haunted by the fear of passing time. The author challenges the traditional belief that Storm's narratives are ...
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        Ulrich von Liechtenstein's "Service of Ladies" 

        Thomas, J.W. (1969)
        This volume presents the first English translation of one of the most original literary products of the German medieval period. It is introduced with a sketch of the poet's life, an evaluation of his work as autobiography ...
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        The Songs of the Minnesinger, Prince Wizlaw of Rügen 

        Garvey Seagrave, Barbara; Thomas, J.W. (1967)
        This work originally published in 1967 was the first to treat Wizlaw in his three roles of composer, poet, and sovereign and to present his poetry in English. Thomas and Seagrave also include a bibliography, translations ...
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        Portrait of the Artist as Hermes 

        Nelson, Donald F. (1971)
        Within the framework of Jungian archetypal psychology and utilizing Karl Kerényi's theories on Hermes and the archetypal symbolism of mother and daughter, this book combines the mythopoeic and psychoanalytical approaches ...
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        Lessing's "Aesthetica in Nuce" 

        Anthony Rudowski, Victor (1971)
        This letter contains Lessing's most explicit observations on the distinction between poetry and prose as well as a unique proposal for emending Aristotle's interpretation of the dramatic method. Although both arguments are ...
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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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