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        Chapter 2 Antiphons

        Proposal review

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        Author(s)
        Anderson, Michael Alan
        Language
        English
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        Abstract
        This chapter centers on the genre of antiphons, which are concise liturgical melodies that frame the recitation of a psalm or groups of psalms in the offices. It begins by charting their conventional pairing with psalms in the Office of the Virgin and the Office of the Dead. As short texted pieces of monophony with modest musical contour, antiphons have a peculiar way of unfolding in books of hours, led by an incipit at the outset and provided in full after the completion of the psalm. This customary presentation is explained, along with the performative ritual of interweaving the invitatory antiphon with Psalm 94. The chapter brings attention to the role of the well-known Marian antiphons in books of hours, as well as to antiphons in the Hours of the Cross and Hours of the Holy Spirit, which are repeated with great frequency.
        Book
        Music and Performance in the Book of Hours
        URI
        https://library.oapen.org/handle/20.500.12657/57289
        Keywords
        Music, Medieval Studies, Medieval History, Renaissance
        DOI
        10.4324/9781003140511-4
        ISBN
        9781003140511, 9780367691325, 9780367691387
        Publisher
        Taylor & Francis
        Publisher website
        https://taylorandfrancis.com/
        Publication date and place
        2022
        Imprint
        Routledge
        Pages
        29
        Public remark
        Funder name: Eastman School of Music
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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