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        Chapter 16 The always-not-yet/always-already of voice perception

        Proposal review

        Training towards vocal presence

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        Author(s)
        Thomaidis, Konstantinos
        Language
        English
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        Abstract
        As a first step towards tackling vocal presence as a matter of time, the proposed strategy is to attend to a particularly crucial moment in voice training: listening to one’s own voice while in act of voicing. Even if voicers are trained to ‘be in the moment’ or to ‘achieve presence,’ they can only rely on post-voicing auditory feedback or pre-voicing kinaesthetic awareness; voice perception is always-not-yet there or always-already there. When asked about definitions of vocal presence or whether they have developed a definition of vocal presence for the specific purposes of their studio work, all interviewees admit the complexity or impossibility of the task. Vocal presence can move beyond the bounds of the individual body and physiological or psychological notions of tension and release. Jane Boston asserts that an advantageous starting point for training vocal presence is breath, as ‘phonation depends on the appropriate manipulation of breath pressure and its conscious application for production of efficient soundwaves’.
        Book
        Time and Performer Training
        URI
        https://library.oapen.org/handle/20.500.12657/75323
        Keywords
        aging, documentation, duration, embodiment, endurance, intercultural, temporality, aging, notions of time, performer training, training regimes
        DOI
        10.4324/9781351180368-21
        ISBN
        9781351180368, 9780815396277, 9780815396284
        Publisher
        Taylor & Francis
        Publisher website
        https://taylorandfrancis.com/
        Publication date and place
        2019
        Grantor
        • University of Exeter
        Imprint
        Routledge
        Classification
        Theatre studies
        Pages
        16
        Rights
        https://creativecommons.org/licenses/by/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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