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        Chapter Het baton-plafond

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        Author(s)
        Wennekes, Emile
        Language
        Dutch
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        Abstract
        It remains very exceptional when highly gifted women musicians are crowned maestra, conductor of a symphony orchestra. There are various explanations for this deprivation. Contextualised in historical and statistical data, this article zooms in on what I refer to as the ‘baton barrier’. Not so much of an invisible boundary as has become known as the glass ceiling, preventing women their upward mobility, for ages, this musical barrier has been in our face: literally, the image, the portrayal of the traditionally masculine orchestral director.
        Book
        Transities in kunst, cultuur en politiek = Transitions in Art, Culture, and Politics
        URI
        https://library.oapen.org/handle/20.500.12657/76696
        Keywords
        female musicians; symphony orchestras; Lydia Tár; baton barrier
        DOI
        10.5117/9789048560110_wennekes
        ISBN
        9789048560110, 9789048560110, 9789048560127
        Publisher
        Amsterdam University Press
        Publisher website
        https://www.aup.nl/
        Publication date and place
        Amsterdam, 2023
        Pages
        9
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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