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        Richard Wagner's Essays on Conducting

        A New Translation with Critical Commentary

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        Author(s)
        Walton, Chris
        Collection
        Swiss National Science Foundation (SNF)
        Language
        English
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        Abstract
        The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact. Richard Wagner was one of the leading conductors of his time. Through his disciples Hans von Bülow, Hans Richter, Anton Seidl, Felix Mottl, Arthur Nikisch, and their many notable protégés, a Wagnerian art of interpretation became the norm in Europe and America until well into the twentieth century. Wagner's essays on conducting had an even longer impact, and were upheld as central to their art by later generations of conductors from Mahler to Strauss, Furtwängler, Böhm, Scherchen, and beyond. This is the first complete, modern translation of Wagner's conducting essays to appear in English, and the first-ever edition to offer extensive annotations explaining their reception and impact. The accompanying critical essay offers a detailed analysis of Wagner's conducting practices, his innovations in tempo and the art of transition, his creation of a new vocabulary to describe his art, and his success in establishing a school of conductors to promote his works and his aesthetic. A digital edition of this book is openly available thanks to generous support from the Swiss National Science Foundation.
        URI
        https://library.oapen.org/handle/20.500.12657/85991
        Keywords
        Richard Wagner; Conducting essays; Musical interpretation; Wagnerian art; Tempo; Transition; Conductors; Musical practices; Critical analysis; Music history
        DOI
        10.2307/j.ctv1f2s
        ISBN
        9781800101890, 9781800101906, 9781800101890
        Publisher
        Boydell & Brewer
        Publisher website
        https://boydellandbrewer.com/
        Publication date and place
        Rochester, 2021
        Grantor
        • Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
        Imprint
        University of Rochester Press
        Series
        Eastman Studies in Music,
        Pages
        324
        Rights
        https://creativecommons.org/licenses/by-nc-nd/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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