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        Accidental Archivism

        Shaping Cinema’s Futures with Remnants of the Past

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        Author(s)
        Agina, Añulika
        Alipanah, Hadi
        Babić, Gaby
        Balatbat-Helbock, Lynhan
        Balsom, Erika
        Beckmann, Marie Sophie
        Bernien, Mareike
        Biswas, Amrita
        Çakmak, Sema
        Campanini, Sonia
        Carter, Erica
        Çelikaslan, Özge
        César, Filipa
        Cheeka, Didi
        Davis, Vaginal
        Dutta, Madhusree
        El Said, Tamer
        Escobar López, Almudena
        Glazunova, Mariia
        Gregor, Ulrich
        Goncharuk, Olena
        Gramann, Karola
        Hariharan, Veena
        Hassan, Mohammad Shawky
        Heredia, Shai
        Hering, Tobias
        Ingravalle, Grazia
        Kaushik, Ritika
        Keidl, Philipp Dominik
        Pratiwi, Julita
        Rahman, Lisabona
        Khitsinska, Ivanna
        Kim, Hieyoon
        Kloeckner, Laura
        Kröger, Merle
        Makarevic, Asja
        Meyn, Nils
        Ndaliko Katondolo, Petna
        Ohene-Asah, Rebecca
        Pantenburg, Volker
        Perneczky, Nikolaus
        Pitassio, Francesco
        Ruhm, Constanze
        Schlüpmann, Heide
        Schneider, Alexandra
        Shambu, Girish
        Siegel, Marc
        Sungu, Can
        Thieme, Clarissa
        Turajlić, Mila
        Vasudevan, Ravi
        Venturini, Simone
        Younis, Ala
        Contributor(s)
        Schulte Strathaus, Stefanie (editor)
        Hediger, Vinzenz (editor)
        Collection
        DFG - German Research Foundation
        Language
        English
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        Abstract
        In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force. Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
        URI
        https://library.oapen.org/handle/20.500.12657/88705
        Keywords
        activism; pandemic; cinema; digitality; archivism; media ecology; repositories
        DOI
        10.14619/0535
        ISBN
        9783957960542, 9783957960542, 9783957960535
        Publisher
        meson press
        Publisher website
        https://meson.press/
        Publication date and place
        Lüneburg, 2023
        Grantor
        • Deutsche Forschungsgemeinschaft - 310565625 - GRK 2279: Konfigurationen des Films - Graduiertenkolleg
        Imprint
        meson press
        Series
        Configurations of Film, 8
        Classification
        Film theory & criticism
        Library, archive & information management
        Media studies
        Pages
        492
        Rights
        https://creativecommons.org/licenses/by-sa/4.0/
        • Imported or submitted locally

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        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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