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        Sartre's Theory of Literature 

        Howells, Christina (1979)
        As an imaginative writer Sartre is fascinated by the role of imagination in the creative process. Moreover his critical, psychological and philosophical writings witness to a constant meditation on the function and status ...
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        Language and Style in a Renaissance Epic 

        Woodhouse, H. F. (1982)
        When, a generation later, Francesco Berni rewrote Boiardo's incomplete epic Orlando Innamorato, his contemporaries were not all convinced, and some considered it a usurpation. But Berni's aim was to modernise the text, ...
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        Epic and Chronicle 

        Powell, Brian (1983)
        The Poema de mio Cid is one of the oldest extant literary works in Castilian, and the most complete epic poem of the Spanish medieval period now known to us in a form close to that in which it was originally written, perhaps ...
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        The Realism of Luigi Capuana 

        Davies, Judith (1979)
        Despite a remote rural birth, in a small Sicilian town still not easily accessible, Capuana was to become a figure truly representative of Italian culture in the second half of the nineteenth century. He observed Garibaldi's ...
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        Matthew Arnold and Goethe 

        Simpson, James (1979)
        Writing to Cardinal Newman in 1872, Arnold said that there are four people, 'in especial', from whom he had learned habits: Goethe, Wordsworth, Saint-Beuve, and Newman himself. His notebooks and reading lists confirm a ...
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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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