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dc.contributor.authorPunzo, Luigi
dc.date.accessioned2024-12-20T12:32:27Z
dc.date.available2024-12-20T12:32:27Z
dc.date.issued2024
dc.identifierONIX_20241220_9791221503197_144
dc.identifier.issn2704-5919
dc.identifier.urihttps://library.oapen.org/handle/20.500.12657/96349
dc.languageItalian
dc.relation.ispartofseriesStudi e saggi
dc.subject.classificationthema EDItEUR::N History and Archaeology::NH History::NHB General and world history
dc.subject.otherutopia
dc.subject.otherwork/labour
dc.subject.otherproperty
dc.subject.othercommunism.
dc.titleChapter Il tema del lavoro nell’utopia rinascimentale
dc.typechapter
oapen.abstract.otherlanguageIn Utopia, an island in the tropics, work is done by all inhabitants, including women and work activity is characterized by social commitment and participation of everybody. The reduced time devoted to daily work and the refusal of private property make other liberal activities possible Tommaso Campanella’s The City of the Sun proposes an even more radical communist model of society, where women too are in common. A pedagogical and playful vision definitely abolishes the division between intellectual and manual work. In Francis Bacon’s New Atlantis the meeting of “utopia” with the nascent modern scientific thought completes the evolution of the concept and the modalities of work, and the distinction between intellectual and manual work disappears.
oapen.identifier.doi10.36253/979-12-215-0319-7.54
oapen.relation.isPublishedBybf65d21a-78e5-4ba2-983a-dbfa90962870
oapen.relation.isbn9791221503197
oapen.series.number257
oapen.pages7
oapen.place.publicationFlorence


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