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        Screening the Fleet

        The Royal Navy on Television 1973–2023

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        Author(s)
        Rayner, Jonathan
        Language
        English
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        Abstract
        In Screening the Fleet, Prof. Jonathan Rayner explores the representation of the modern Royal Navy on British television over a fifty year period from 1973 to 2023. Contextualising his subject with significant aspects of earlier naval representation, in recruiting, documentary and public information films from the 1940s to the 1960s, Rayner then brings his focus forward to 1973-2023. The 1970s were a significant decade for naval representation on television, and saw the broadcast of two definitive series: the BBC’s drama series Warship and the acclaimed documentary series Sailor. These landmark series set the benchmark for naval representation in both realist and in fictional portrayals. They also set precedents for audience perceptions, and these have affected the production, and the reception, of the series on the Royal Navy that have followed. Rayner’s work investigates how advances in technology allow programme makers to use new techniques in the spheres of naval drama and documentary. More recent series also need to balance the required conventions for any portrayal of the navy on television with the revelatory or iconoclastic approaches now expected by modern audiences. In focussing on the changing portrayal of the Royal Navy on television, however, Rayner also surfaces how the Navy itself has evolved in the post-World War II world. The series analysed in Screening the Fleet also evidence the changing nature and increasing diversity of the naval community as a reflection of changing notions of Britishness. Offering the first study of its type, this volume highlights evolving and emerging trends in factual and fact-based television programmes through their portrayal of a highly popular, patriotic and persistent subject over a fifty year period. It debates developments in television and documentary approaches using the representation of the Royal Navy, and its changing position in perceptions of British identity.
        URI
        https://library.oapen.org/handle/20.500.12657/98409
        Keywords
        Naval representation; Ships; Television; Documentary; Royal Navy
        DOI
        10.22599/ScreeningtheFleet
        ISBN
        9781912482405, 9781912482405, 9781912482412, 9781912482429, 9781912482436
        Publisher
        White Rose University Press
        Publisher website
        https://universitypress.whiterose.ac.uk/
        Publication date and place
        York, 2025
        Imprint
        White Rose University Press
        Classification
        Film, TV and Radio industries
        Media studies
        Military institutions
        Pages
        278
        Rights
        http://creativecommons.org/licenses/by-nc/4.0
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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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