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        Shaping and Reshaping the Caribbean

        The Work of Aimé Césaire and René Depestre

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        Author(s)
        Munro, Martin
        Language
        English
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        Abstract
        The current drive in Caribbean literary studies stresses similarities and points of convergence between the various islands of the archipelago and their authors, the fundamental aim of which is to move closer to an all-encompassing theory of Caribbeanness. Martin Munro challenges this movement, and through a study of the work of Aimé Césaire and René Depestre, proposes an alternative vision of the present and future of Caribbean literature. The main areas of inquiry are: how these two Caribbean writers construct their sense of themselves; how they relate to the Caribbean and to the wider world; and how they have been influenced by the historical and cultural particularities of their respective islands. Aimé Césaire's sense of self and of the Caribbean is essentially shaped around the circuit triangulaire, the model of Africa/Europe/Caribbean interdependencies, ultimately inherited from the time of the slave trade. Munro shows how Césaire views the Caribbean as a deeply traumatic, insubstantial space; how he looks to Africa for his lost sense of self; and how Europe is seen at once as the malevolent colonial power and also the home of poetry and learning. René Depestre's Caribbean 'shape' is quite different: Africa is relatively absent in Depestre's work; Europe is not presented as a threat; and Depestre, unlike Césaire, sees in the Caribbean an energy and a creativity brought about by the historical fusion of disparate cultures. An important factor in 'shaping' Depestre's model of Caribbeanness is his long exile from Haiti, and Depestre's experience of exile is analysed in detail. The combination of broad contextualization, diverse theoretical approaches, and close analysis of these important writers' work, produces a strong argument against attempts to view and read writing from the Caribbean as one literature. Difference and diversity, it is argued, predominate as Caribbean writing embraces the new century, and the whole notion of Caribbeanness undergoes further processes of highly creative splintering and reshaping.
        URI
        https://library.oapen.org/handle/20.500.12657/106498
        Keywords
        Caribbean literature; Caribbean; Caribbeanness
        DOI
        10.59860/td.b6c2c6a
        ISBN
        9781839546907, 9781839546907, 1902653297
        Publisher
        Modern Humanities Research Association
        Publication date and place
        Cambridge, 2000
        Imprint
        Texts and Translations
        Series
        MHRA Texts and Dissertations, 52
        Classification
        Poetry
        Caribbean islands
        20th century, c 1900 to c 1999
        Pages
        275
        Rights
        https://creativecommons.org/licenses/by-nc/4.0/
        • Imported or submitted locally

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        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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