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        Cotton Nero A.x

        https://punctumbooks.com/titles/cotton-nero-a-x-the-works-of-the-pearl-poet/

        The Works of the "Pearl" Poet

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        Author(s)
        David Hadbawnik
        Daniel C. Remein
        Chris Piuma
        Lisa Ampleman
        Language
        English
        Show full item record
        Abstract
        Manuscript Cotton Nero A.x takes its designation from the unique cataloging system of seventeenth-century British antiquarian Sir Robert Cotton’s library: busts of historical figures atop shelves provided the organizing principle, such that one found this particular codex under the bust of Roman Emperor Nero, on the top shelf, ten volumes over. (Another famous manuscript, containing Beowulf, is called Cotton Vitellius A.xv.) Cotton Nero A.x contains the only versions of the poems we now know as Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight, generally agreed to have been composed sometime in the latter half of the fourteenth century—the time of Piers Plowman and Geoffrey Chaucer, though radically different from either. No one knows who the poet was. No one knows if more than one poet wrote some or all of the poems. Together, they present a stunning array of themes, allegories, and images that critics continue to puzzle over: Patience offers a psychologically complex rendering of the Old Testament story of Jonah and the whale; Cleanness explores its homiletic theme in carnal and spiritual terms with complexity, irony, and even humor; Pearl provides a dream allegory that pushes at the distinction between its earthly and heavenly meanings, challenging the very notion of metaphysical transcendence its form seems to point towards. Finally, Sir Gawain and the Green Knight, the most secular of the poems, is a sophisticated take on Arthurian legend that unfolds like a psychosexual mystery novel, with no easy solution in sight. All the poems are rendered in a difficult Middle English dialect and intricate alliterative form, which sometimes involves a complex rhyme scheme as well. As poet-medievalists, we bow before the poetic achievement of the works in Cotton Nero A.x in all their multi-faceted richness. This is not a translation, nor an interpretation. It is what might be called a trace. A response. A homework assignment from beyond the grave, for four students who should have known better. A dream we hope to dream.
        URI
        https://oapen-dev.siscern.org/handle/20.500.12657/108593
        Keywords
        medieval literature; poetry; translation
        DOI
        10.21983/P3.0066.1.00
        ISBN
        9780615983912
        Publisher
        punctum books
        Publisher website
        https://punctumbooks.com/
        Publication date and place
        Brooklyn, NY, 2014
        Imprint
        punctum books
        Classification
        14th century, c 1300 to c 1399
        Fiction in translation
        Pages
        54
        Rights
        https://creativecommons.org/licenses/by-nc-sa/3.0/
        Rights
        • Thoth SWORD collection

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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