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        Homebodies

        Performance and Intimacy in the Age of New Media

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        Author(s)
        Porter, L. Archer
        Porter, Lindsey Archer
        Language
        English
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        Abstract
        Homebodies: Performance and Intimacy in the Age of New Media sheds light on a fascinating yet often overlooked phenomenon: how ordinary people transform their private lives into captivating performances for the digital stage. Focusing on home dance videos shared on Instagram from 2010 to 2020, the book explores the delicate art of "intimaesthetics"—the aestheticization of intimacy through the interplay of body, space, and media—and the paradox of the homebody. These seemingly spontaneous performances reveal how users craft images of closeness and authenticity, drawing audiences into a curated version of their domestic lives. Yet, Porter argues, these intimate portrayals exist within a larger system of platform control, algorithmic surveillance, and the commodification of personal expression. Porter utilizes hand-drawn illustrations in place of screenshots, which reflects their commitment to critiquing the exploitative dynamics of digital visibility while respecting the personal nature of the media studied. By examining the intersection of personal agency, algorithmic control, and the commodification of authenticity, Homebodies provides a nuanced understanding of how technology redefines intimacy, identity, and creativity in the twenty-first century.
        URI
        https://oapen-dev.siscern.org/handle/20.500.12657/108621
        Keywords
        Intimaesthetics; Home dance videos; Instagram; Social media performance; Digital intimacy; Choreographed intimacy; Algorithmic surveillance; Neoliberal commodification; Personal branding; Digital visibility; Homebody; Embodiment in media; Aestheticization of intimacy; Digital culture; Self-expression online; Domestic performance; Candid dancing; Moving selfie; Nonchalant gestures; Home concerts; Autochoreography; Minor choreography; Data commodification; Performative identity; Algorithmic control; Performer agency; Platform control; Digital aesthetics; Media aesthetics; User-generated content.; Social media.
        DOI
        10.3998/mpub.14524406
        ISBN
        9780472905454, 9780472905454
        Publisher
        Michigan State University Press
        Publication date and place
        2026
        Imprint
        University of Michigan Press
        Classification
        Performing arts
        Dance
        Media studies
        Theatre studies
        Other performing arts
        Pages
        258
        Rights
        https://creativecommons.org/licenses/by-nc/4.0/
        • Imported or submitted locally

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        License

        • If not noted otherwise all contents are available under Attribution 4.0 International (CC BY 4.0)

        Credits

        • logo EU
        • This project received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No 683680, 810640, 871069 and 964352.

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